Sunday, January 27, 2008

Last Night Cosmo Baker Saved My Life / Hip Hop History

Photo: Nicked from Cosmo's Myspace.

Cosmo Baker comes straight out of Brooklyn. You might already have a hint of who he is - what with his re-jigging of that old synthpop classic "Oh Sheila" from Ready for the World, popping up across mixes highlighted on this blog, both on that recent one from DJ Half Dutch and, ages ago, on DJ C's Bouncement.

Last night he played Toronto, a tight blend of smarts from a man that really digs deep and back. His Martial Law CD, for instance is made up of old 45' funk records. Baker is sometimes mix buddy with DJ Ayres - one of those types that blows Baltimore club sounds all over poptastic hooks in a sick formula for club music. Grab a track called Shake from Ayres and you'll see what I'm taking about.

A few years ago, literally about half a dozen people I know had just read Simon Reynold's Energy Flash, his excellent journey into what would end up becoming know as the hardcore continuum, or 'nuum as parts of the blogosphere call it. At the time, compilations such as We Call It Acieed - named after that old D Mobb track, and The History Of The House Sound Of Chicago were passed around manically to accompany the read.

And here's where it's good, now it seems another book has popped up inspiring a similar infectious reading routine among friends. This time it's that Jeff Chang Can't Stop Won't Stop look at the hip hop generation. So no better time to check out the radio show Cosmo Baker does alongside DJ Ayres, it's called the Rub - and there's an amazing archive of shows on it, including 14 different specials looking at hip hop on a yearly basis from 1979 through to 1994.

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Wednesday, February 15, 2006

Black Brain Radio: Manic Online Preacher?

Lurking somewhere just before Radio One on the dial there's been this utterly bizarre "pirate" broadcast moaning away for the past few days. I picked it up in UCD and someone else I know managed to pick it up in location as far flung as Maynooth.

It consists solely of this bloke in a mild Dublin accent, possibly tinged with the drawl of an upbringing in the environs of the leafy southside talking in a monologue for hours on end. One moment it sounds like he's reading from Wikipedia and following the embedded links within it as he disembarks from one topic to another.

At other times it sounds like he's reading Amnesty International reports. So far he's been going on about Dante's Inferno, Mugabe shutting down opposition radio stations, Aristotle, the levels of radioactive contamination in the general population and the immune system. All day I found myself asking myself "what the hell is this?" Has some lone bloke picked up a radio transmitter off the net for cheap and set himself to work? Its the radioactive equivalent of a street ranter with no given specialty, and the oddest thing of all is you can hear Ray Darcy's show in the background...

There was some comfort in the whimsical thought that this was a lone nut, drowning his thirst with tea, his only company the inanity of Ray D'Arcy's perky morning advice on love, walled in inside his house, a box in the suburbs - lashing out against the infotainment machine and waiting for Babylon to come crashing down around him. Turns out it was just the latest public art series from IMMA and Garrett Phelan, a transmitted sound installation which some how tries to close the gap between the visual arts and audio in an investigation of how ideas spread in society. What toss - since when does the title of "art" justify such a tedious lack of cop on?

If IMMA and the Irish art establishment want to investigate the spreading of ideas in society, and have the capacity to give someone access to a transmitter powerful enough to hog a frequency all over county Dublin, the least they could do is turn it over to an open public access project.

What THEY say: "Black Brain Radio is an unconventional and innovative radio artwork created by Irish artist Garrett Phelan with Temple Bar Gallery and Studios and in partnership with the Irish Museum of Modern Art (IMMA). The transmission will be broadcast around the clock over a thirty-day period from 19 January 2006 to listeners within the greater County Dublin area on a frequency of 89.9fm. In addition, Black Brain Radio will have the capacity to reach a wide international audience through its dedicated on-line presence."

What The COMMENTARIAT of Indymedia say: "Recognition? What does this mean precisely? Does it mean that he can exhibit meaningless scrawls on the windows of the Civic Offices while other people are prosecuted for painting political slogans on walls, and posters advertising public meetings are torn down? He can set up a "safe" pirate radio station, or do some obscure collaboration with the free state army that amounts to a tape of the same bit of morse code being repeated over and over again in a darkened gallery?"

And now for two tech (no) ical points: there has been an array of problems with blogger lately, which have been preventing me accessing this thing even from a reading point of view, never mind posting. Worst part is no radge seems ta hav nae answers. Meanwhile over on the good ship Old Rottenhat, the good captain Krossphader has delivered a Nietzschean parody of the demise of techno in Dublin after the closue of D1's weekly club.

Related: 1 and 2 (now if only our own techno fiend Cogsy would get his blogging ass in gear a little more often!)

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Soundtracksforthem specialises in iconoclastic takes on culture, politics, and more shite from the underbelly of your keyboard. A still-born group blog with a recent surge of different contributers but mainly maintained by James R. Big up all the contributers and posse regardless of churn out rate: Kyle Browne, Reeuq, Cogsy, Chief, X-ie phader/Krossie, Howard Devoto, Dara, Ronan and Mark Furlong. Send your wishes and aspirations to antropheatgmail.com

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