Tuesday, October 11, 2005Youd Be Daft To Mis These At DEAFKOOL KEITH The second night of the festival kicks off with what is sure to be a stomper with the appearance of the legendary Kool Keith. Appearing courtesy of Choice Cuts, Kool Keith is one of those figures that lurks in the background of popular music, seldom fore-grounded but when he is – we all hear about it. His work has been relentlessly sampled, most obviously by The Prodigy, whose obsession with him led them to define some of their most successful tracks around his vocal lines. On “Out Of Space” he threatened to take our brains to another dimension, later a chunk ripped from the Ultramagnetic MC's 1988 “Give The Drummer Some” provided the infamous vocal lines in “Smack My Bitch Up”, he rapped across “Diesel Power” on the same album and on their last release he collaborated directly. Once describing his own rhymes has having the effect of hand grenades, he has been thrown up by critics as a October 27th in the Village Admission : 20 Euro He's just turned forty and at the moment is probably best known for getting dumped off Big Brother or posing menacingly, typecast as the regular goon in Snatch, Bond and Eastenders. Whatever about his acting, Goldie has always been something of a visionary. One of the original British B-Boy's he gained fame in the eighties for his work as a graffiti artist. He was featured in an Afriakaa Bambaataa documentary on the British graf scene, before ditching From the start Goldie revolutionised drum and bass, with time stretching and the grafting on of orchestral over lays and the sort of saccharine soulful vocals you'd expect on an Orbital track. Depending on who you listen to, Goldie lost all relevance ten years ago. Tracks like “Inner City Life” had pushed the production values of drum and bass, but he had lost the plot with hour long symphonic wank-fests like “Mother.” . The original bite of drum and bass as the aesthetics of the wrong side of the E honey moon, was exchanged for a darkness that was more cathedral than squat party. He broke the mould of the jungle producer opted for celebrity, and became prone to self grandiose, over intellectualising his music and attacking the hard-core hordes that created the scene to begin with. With the DIY dynamic foregone for an ethereal, epic bullshit, effectively he had taken the genre off the dance floor and introduced it to the dinner party. But then again, ten years ago this man reigned supreme over the junglist massive and if minimal isn't your thing and you want at least some pounding bass lines then I'd hedge your bets with Goldie. October 30th in Traffic, Admission : € 18.50 UNDERGROUND RESISTANCE It might be easier chasing a greased pig than trying to make sense of Underground Resistance. The sheer scale of their back catalogue is overwhelming and there's little point in expecting a “best of” from this popularity shy Clothed in a shell of political imagery, But leaving their creed aside, if anyone's wondering just what the fuck October 30th in The Village. Admission : € 29.50 Underground Resistance / Galaxy 2 Galaxy are performing the early part of the night . THE WEEKENDER GIGS Not so long ago DEAF was hosted in one venue, with the added bonus of being able to buy a single ticket to cover the whole festival. Unfortunately, the past two years have seen it scattered to the wind across a kaleidoscope of city based venues, with events clashing in venues across the city on most nights. Whatever about the mania of weighing up which of the headlining gigs to check out, there's another way to do the festival by exploring the rather incoherent Dublin underground presented as it is in the concise format of the DEAF Weekender series of gigs throughout the festival which are show casing some of the regulars on the electronica circuit in Dublin. Among those to check out are Chymera who is interviewed elsewhere in this issue, Skkatter, tongue in cheek re-mixer of that atrocious “G-g-g-Galway” tune will be banging out infectious techno and electro, Don Rosco a prime mover in the early drum and bass scene here, Invisible Agent’s Corrugated Tunnel, and D1’s Toirse will all be making appearances throughout the weekend at gigs based in and around Hogans and The Globe. Undercurrent will also be holding its annual DEAF showcase over the weekend, while regular freeform club Lazy Bird, VISUALS AT FILMBASE As if some projections weren’t good enough, DEAF@Filmbase is the part of the festival where the visuals begin to supersede the music, it’s where worries about the dance floor stop and the art begins. The event kicks off at Elsewhere the Darklight Symposium will be hosting a seminar to explore the shifting relationship between technologies of surveillance and the citizen while Admission €15 (the price includes three large bottles of beer free per person, courtesy of Tiger).
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