Lightswitch is a Dublin based production company promising to bring theatre goers the 'ridiculously serious and the seriously ridiculous.' If its a chaotic humour and theatre of the absurd they aspire to then through a healthy mangling of a Greek classic, Antigone Interactive proves to hit the nail partially on the head but falters at the point of audience interaction and political depth. The Antigone lead comes across oozing sassy stylistic rebellion like a photo shot prepped baile funk star MIA - all gun belt for show and Che Guevara t-shirt as poseurish portend to an inevitable martyrdom for ritually burying her brother against her father's edicts.

Her father of course is Creon and in keeping with the pisstake atire of the rest of the cast he has the physical presence of Only Fools and Horse's Boycie in a South American junta costume straight from the back of Del Boy's mini-van. With speeches conciously echoing some of the 'with us or against us' discourse of the war on terror, he melds in and out of purposefully two dimensional political caricatures that add the main political punch to a play that uses circled "A's" on its posters but fails to develop any political depth beyond a rather cliched critique of the gap between democratic vision and practice.... review continues at Indymedia.

The play runs upstairs in the International Bar every evening at 1830 pm until September 24th. Its 10e, but unlike After Dakota it won't leave you feeling the desire to shoot the cast. What more can I say?

Labels: Art, Fringefest, Theatre