Wednesday, January 17, 2007

In The Box 1: Enduser

Kaboogie are promising another night of bass heavy enough to make your granny cry as stateside speaker thrasher Enduser takes a break from touring with Bong-ra to fuck the place up down Kennedys way this friday. Enduser uses fractured beats and the machinery of an industrially tinged drum and bass to tear through every genre you try barricade him in with. The grinding sonic terror at the heart of Endusers music is cushioned in often soft female vocals like on his Bollywood Breaks release or more commonly filthily compounded by violent ragga vocal lifts as on Comparing Paths.

Find yourself a copy of Bollywood Breaks for a lesson in cementing over hippy visions of Goa or India in a bizarre collage of dnb and world music.
There's a fair chunk of tracks over at the C8 site for you to start pillaging to get you in the mood before Friday night. Here's a short interview with him, he's both short and cheeky but if interested you can drag up a more in-depth piece with Enduser over at Exploding Plastic.

You're on tour with Bongra at the moment, how's that going and how are crowds reacting to you?


Tour is good, crowds are great for the most part. Sometimes they want more straight forward dnb but i think it's shit.

As a teenager what were your main musical influences?

Godflesh, Swans and Napalm Death

When did you first start making music and what pushed you into it?

I've always made music. I just started putting out records to pay for my medication.

Describe your first track in ten words, be as cruel or self-praising as you want?

Two tape decks and here are a few more words...

What's your stimulant/drink of choice?

I'm sure you will find out very soon

What was the best gig you attended in the past year?

I can't remember.

Bollywood Breaks is a fantastic release - how did you get the idea for combining such distinct musical styles and why a whole release of it?

All music can be treated like this, just two things I enjoy sounded ok to me.

What can we expect from you in the near future?

I'm going to have lunch soon. Then some music. Maybe I'll be dead in a few days, I don't know yet.

The net is increasingly important in music, how are you using and do you buy the hype about it changing everything?

Internet is good and bad. I don't see how anyone can say that hasn't changed everything.

Where did the name Enduser come from and why do you want to 'fuck up the system?'

Enduser = end user. Everyone. I made a song called that but it was a typo. it was supposed to be called "fuck up your sister". It's a personal thing, I'll explain later.

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Wednesday, December 27, 2006

Alec Empire Interview: "The Iraq war is an ongoing nightmare. Doing politics like this has no future."

With the would be 'Sir' Bonos of the world doing a wonderful job as the soft, recuperating face of global governance, its easy to be cynical about the space where politics and music combine. Still, few artists spring to mind that can rival the continued enthusiasm of Alec Empire for pushing the boundaries of contemporary music to incorporate radical politics. As a techno innovator responsible for the emergence of the digital hardcore genre, Empire was a figurehead to a generation of German experimental artists emerging in the wake of the Berlin Wall's collapse through the creation of his Digital Hardcore Records label.

Starting off within the punk scene fronting bands like Die Kinder, Empire eventually grew disillusioned and moved towards the emerging rave scene. During the turmoil of re-unifaction the bubbling techno scene was seizing ware houses in the east of Berlin for massive parties, linking it to a long standing autonome squatting scene that was spreading eastwards from its traditional bastions in areas like Kreuzburg.

Empire's political radicalism made him antagonistic to the E-fuelled, loved up, utopian culture that was all over the techno scene like a rash. Outside skinhead groups, cushioned by a renewed German nationalism, were fire-bombing migrant centres and organising pogroms while the police stood back and watched. As a forceful rebuttal to apolitical rave scene Empire formed the seminal Atari Teenage Riot. Involvement in the anti-fascist movement came to heavily define the band, even late into their career. One viral video popular among fans on Youtube features the group playing off a truck at a Mayday anti-fa march in Berlin in 1999. Screaming the lyrics of an early song suitably called 'Start the Riot,' the band implore the crowd to do just that - as they drive straight into the heart of escalating ritualised conflict with police. This was a group after all who believed 'riot sounds, produce riots' and they certainly sought to test it when given the chance.

Atari Teenage Riots first full length album Delete Yourself stands head high as a musical document of the intense political struggles and debates that emerged in post-reunifaction Germany. Atari Teenage Riot weren't just an angered, aesthetic reaction to the loved up boredom of rave or a desire for a scene that actually engaged with the realities of rising unemployment and accommodation shortages. It was a deliberate attempt to politicise and organise within a subcultural milieu. Atari Teenage Riot and Empire pioneered the digital hardcore sound of sped up break beats, metal riffs chuggy enough to put Slayer on the run and chanting punky vocals interspersed with samples from film and ainme. If you can imagine the dress up sloganeering of the early Manic Street Preachers ram raided by a German black bloc armed with trolleys full of drum machines and samplers - then you have some idea of what Atari Teenage Riot sound like. Coming to me at the time through the pages of NME, this was an early teenage musical revelation. The combination of two such distinct sounds, previously only sketched on The Prodigy's epic Music for the Jilted Generation now all sounds a little musically dated but an indelible experimental template was in place.

A trip organised by Beastie Boy's operated Grand Royal Records began a process of filtering DHR material out on limited releases stateside. Eventually the rave new world of the Berlin underground wound down around them and ATR found themselves competing on the stages of the big summer festivals alongside the likes of Nine Inch Nails and a whole plethora of bands still hanging around in the post-grunge wake. In the US they became a pre-cursor to that peculiar wave of stateside adoration of UK big beat that saw acts like The Prodigy dominate the albums charts there through the cartoon punk of Fat of the Land. Just before the blockades of the Seattle WTO opened up new constituencies for their music within an actual, growing movement , personal tragedy struck as band member Carl Crack died of a drug overdose and the Atari Teenage Riot project was more or less wrapped up.

In this exclusive interview for Indymedia.ie Alec Empire discusses the origins of Atari Teenage Riot amidst rising Nazi attacks in the early 1990's, experimentalism and conservatism in music, his future projects and much more besides.

Alec Empire will deliver a DJ set courtesy of Kaboogie at the Underground in Kennedys on December 29th. Kaboogie should be familar to Indymedia readers for recently doing musical combat with fundraising regulars Porco Dio in a mash up of scenes in aid of Indymedia Ireland. The Empire gig starts at 9.30pm and goes until the wee hours. Support will come from NIHI, K.AL.P.O.I. and Super Extra Bonus Party. There'll be a 12 bip hit on the door for entrance.

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Thursday, August 24, 2006

Several Birds, One Stone: Mantua and All Thats Fit to Print

Mighty Morphin Mega Power Illegal Raves.

According to the Guardian, the bobbies across the water are on the look out for a 'mega illegal rave' due to take place somewhere in the south east of England in the next few weeks. Sarah Champion, one time music journalist and sometimes editor of mid 1990's rave zetigeist fiction compendiums has also been pushed to comment on the pheonemeon, leading to some heavy doses of nostalgia over on the Guardian blog. There's definitely something in the air, with many inhabitants on my usual internet merry-go-round asking similar questions of a rave scene revival, there was even a bit of a discussion on this over on U75 a while ago.

Its possibly all hype, with journalists eager to chase after the latest underground fads, last month it was the Artic Monkies and this month its purple dreaded psy-trance ravers on ketamine. Its tempting however to think dance culture, or at least some harder edged variant more firmly rooted in the undergound is on the up over here as well. There's a certain tiredness around how so much of the new wave of British lads on guitar have colonised the soundtrack of the city at night. As well as that a generation that grew up as kids with romantic notions of rave are now old enough to start pulling things together for themselves, there's been a nice confluence of interest as a result of this. People have been able to break away from some of the more established venues and promoters because they simply do not provide any more due to the declining fortunes of commercial dance. If there are no reliant official nights churning out what you want to hear, then people cater for themselves. Equally the mid 90s commercialisation of dance spelt the death of the rave hysteria, opening a space for its limited return outside the eyes of the cops.

Mr Oizo Impression Inducing Techno.

Of course this is all premised on you actually believing the hype, the Mantua and Leechrum festivals have come and gone again this summer with heavy doses of hardcore dance on rotation at both. That both these festivals were possible in one summer on such a small island, surely is some way testament to a vibrant underground, but you have to ask yourself why such annual stalwert events like the Jigs and Rigs weekend and the regular Creation parties have exited the building before cuddling up to any doses of optimism.

Mantua was great, a field located some where in Roscommon that for two days was domianted by clusters of people insanely dancing before finding themselves sheepishly dishelved the next morning being micro-waved in their tents. With little by way of sobriety and a critical facility intact, memories of Super Exra Bonus Party delivering a high octane bouncy set that got the crowd in the Alphabet Set tent jogging on the spot tell me they are worth checking out again. God Is An Astronaut left no surprises and no highlights, suggesting that a band that once represented something of a bright hope for Irish experimental music are going to have to significantly revise their set lisiting and their on-stage audio-visuals before churlishly churning out more by the book performances to increasingly bored audiences who have seen them all too often before. Radioactive Man turned in a stomping set of Mr Oizo impression inducing checky techno before momentarily descending into some early drum and bass. Bringing the tempo back up again, it was all I could do to sit outside the tent and stare at the light show, wondering just how much harder this head case could take people.

Later in the night, Ed Melody Masher spluttered long lines of amen breaks and staccatto gabba out for hours on end, firmly in recovery ( not like this thank christ )at that stage it was impossible to enjoy what was an impressively comptent set that machine gunned the assembled crowd until well into the next day. The reggae 'stage' was impressive, consisting of a section of field framed on either end with two walls of babylon's finest rigs sound systems in the form of Cork's Rootical Soundsystem. It was impossible to get into the mood, little crowd or dance floor dynamic developed there, harder to discern what this strange land walled in reggae was never mind where to congregate to dance to it. With no more food available than a lame Fallaffel stall, and a hippie in some sort of native American garb running around with his arms outstretched flying through his own head it was clear the best option was to leave for the creature comforts.


And All The Rest.

Back in the cold hard and rainy streets of this fair and fucked city, Duran Duran Duran delivered a sickeningly but air punching good short set in Kaboogie as the bar man decided 'ya basta' around 0030hrs. Over on Oldrottenhat, our former glammer slamming Herr Philosopher Sir Krossie has delivered another traveleouge of his mad cap antics as the GoawayRecords lads touched down in Berlin for several album launches and a dose of paddy whackery. Now on slightly related note, someone from a clubbing forum in Dublin has put together an index of all the old raver anthems up on Youtube, some of them are classics. Enjoy the vidiocy!

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Thursday, August 17, 2006

The Return of Kaboogie and the Demise of the Lower Deck

Just noticed that Kaboogie, organisers of some of Dublin's best nights all year are back next month with CockRockDisco's DuranDuranDuran playing the Ice Bar on August 25th, alongside Planet Mu's the Teknoist, a man whose becoming something of a regular spectre at their nights at this stage. Lets just hope a previous mention of a possible Knifehandchop date returns to their myspace with a confirmation instead of lingering crossed fingers.

DJ C
was the last gig hosted by Kaboogie, and to celebrate their return to Dublin's moribund nightscape a we present this
collection of mixes of his mixes for your ear to chew on - the recommendation weighs in strongly behind Bouncement. Straight out of Berlin, Zerosound is a blog nicely wedding consistently spot on musical commentary with something of a political and social focus, I'll leave the description of DJ C to them;

"DJ C is an american ragga jungle wizard who runs the Mashit label out of his bedroom in Boston, MA. He published a series of records on labels like Kid606s Shockout, the London-baced Scandal Bag, and his own label. The tunes have been killing club sound-systems and airwaves worldwide. Legendary BBC Radio 1 host John Peel chose Mashit as a "label of the month" in October, 2004 .... DJ C and Debaser did a junglist refix of the Bob Marley classic Crazy Baldheads which has been ruling dance-floors as a dub-plate for some time now. Those who know the tune are familiar with it's message about the oppressor's control over the downtrodden. A pertinent topic in today's environment of oil hungry money grubbers and fundamentalist propagandists read on >>>>."

While it looks like Kaboogie are getting a monthly residency together in Kennedies, there has been an unfortunate further closing of space for independent gigs in the city this week, with Porco Dio's loss of the Lower Deck. If you have any ideas for a new home for this increasingly important outlet for the DIY scene and fundraising enterprise for Dublin's anti-authoritarian left, I'm sure they'd appreciate it if you dropped them a line.

Now, is it just me who is watching the fonts on their blog develop a life of their own?

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Tuesday, May 30, 2006

Bong Ra: Call It What You Want-CORE!

Even the fucking air is choking with the strain of waiting for this one, as Bong-ra and his natty dreads get set to batter seven shades of mashed up nonesense out of Irish heads this Thursday night. You'll find him locked away under ragga-jungle, breakcore and even some novelty called "jungle rock" but screw it, we don't work in a record store here so call it what you want-core. If one thing is without doubt, Bong-ra is something of a godfather figure to the mashitup sound, with his Utercht Breakcore a Go-Go! nights playing something of seminal role in defining a disparate set of musical definitions into a recognisable scene.

His albums display a ferocious appetite for storming through genres in pursuit of workable elements. These are then matched together in a creeping, dark aural performance of dread inducing tensions. If in doubt play his I Am The God Of Hellfire release to any Prodigy fan doubtful
of this thing we call breakcore, and watch it whip up a storm. Collobarations with Hanin Elias, the ex-ATR-er bring the politics of female sexual empowerment to his work, while tracks with Dead Prez style lyrics also tear into the school system nicely. Early releases like Grindcrusher Vinyl free up his own metal tinged past in a brutal marriage of pulsating gabber kicks with wrought iron tearing heavy as hell guitars. No surprise that rumours abound of how Bongra and even Scotch egg are about to jump on board some form of Aaron Spectre's Drumkorps project . When meeting John Peel led to a session on his show a pivotal moment in getting the breakcore/raggacore sound popularised, with the British wave only inevitable in some cack handed sense of a musicology. Do I look like Simon Reynolds bud?

Bongra plays Dublin on Thursday June 1st,
in the Underground@kennedys - Westland Row, D2. Gig starts at 8.30-late, its in the Underground@kennedys - Westland Row, D2. Kaboogie are doing the hosting honours, while Lakker and Melody Masher come up in the rears on support, next up on their agenda is Aaron Spectre. Fuck yeah!





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Monday, April 17, 2006

!Kaboogie: The Teknoist. In The Ice Bar

Planet Mu's The Teknoist was brought over to these shores last Thursday to a relatively frustrated Ice Bar crowd that was anxiously wondering wheter or not it would be subjected to the same closing time as the rest of the city. Turned out we were. The Teknoist delivered a blistering fast paced straight ahead gabber hardcore that sailed across the heads of a tightly packed crowd that punched the air before having to leap out of the way for every punter that wanted to go to the toilets - The Ice Bar having its own quirks is by no means an ideal venue. His music really is a traditionalist straight ahead asortment of gabber kicks, with ragga vocal tingles very low in the mix on one occasion, and some of his own tunes making the most of 10 second long Prodigy samples to get the crowd going before pumping them up with the snares again.

Also
: You can get a relatively good taste of exactly the sort of stuff the Teknoist mix delivered in this download over here. Kaboogie are also going to be regularly hosting a club in the Ice Bar every second thursday, being the heads that brought over Aaron Spectre not so long ago, it'll be well worth keeping on eye on their line ups.

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Soundtracksforthem specialises in iconoclastic takes on culture, politics, and more shite from the underbelly of your keyboard. A still-born group blog with a recent surge of different contributers but mainly maintained by James R. Big up all the contributers and posse regardless of churn out rate: Kyle Browne, Reeuq, Cogsy, Chief, X-ie phader/Krossie, Howard Devoto, Dara, Ronan and Mark Furlong. Send your wishes and aspirations to antropheatgmail.com

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