Saturday, October 13, 2007

What a Muppet: Vivienne Westwood

Presenting the ninth in series of Mind Numbing Muppets - a Soundtracksforthem response to the dumbing down of the commuter newspaper. I mean if they don't educate our childern how will they ever learn to have respect for animal life? Call 1866 239 6000 now...

Number 9: Vivienne Westwood

Remember Vivienne Westwood? One of those characters who like Malcolm McLaren, scored their relevance from the notoriety earned by some delinquent and very malleable teenagers, in the guise of the Sex Pistols some three decades ago.

Not that she ever went away, but she is certainly back - back, as I read in one of those free commuter papers, to feature in what's claiming to be one of the world's biggest symposiums on the importance of democracy in today's shifting world. Good enough excuse to escapethe loony bin of the celebrity pages to pass herself off for serious comment in the world section.

Look we all know Westwood is one of those contrarians, always ready with some shock horror poke at convention on the cat walk. In later years she fell back on the forms she was meant to have shattered and now she seems blessed with the gift of spewing dinner party tripe with every intake of breath.

So for her contribution to the Metro/CBC forum on democracy, she gives some startling lessons in political philosophy - in particular the evolution of democratic thought: "the worst thing ever to happen in history was the French revolution." Ah Viv, really?

You think the woman who revolutionised fashion and left you with all those cheap punkified high street jeans and t-shirts with slogans in fake paint splatters, would have a more copped approach. But no not really - the French revolution you see, was just like some a string of soap episodes leading up to the cliff hanger - "a terrible excuse for people to affect their personal vendettas."

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Saturday, March 24, 2007

Mind Numbing Muppets: The You're A Star Voting Public

Presenting the latest Mind Numbing Muppets - in which our antagonist returns with another series of insults and a slew of failing comic sarcasms..

Number 8: The You're A Star Voting Public

That angsty little grunger shite in me really never had much time for the whole reality TV concept, especially when it came to the all singing, all dancing moronics of shows like You're A Star. What with a combination of plastic pop, over bearing music industry eyes and no risk taking - the show comes right off that shelf populated by Winning Streak and other gems from RTE's programmaing for brain injuries unit.

TV as a background noise can be quite the habit and so we were sucked into the faith of those South Eastern small town messers Scuba Dice. Motoring their way through a slew of obvious "rocker" classics, they were the naive pop-punk fly in this whole middle of the road ointment - the local punk band made good. How we loved to watch their fashion tips from Asha Boutique get more out of hand, their haircuts less stable and the banter with 21 Demands grow.

Toning up their highlights with tinfoil in thier hair and faces caked in dollops of foundation, the behind the scenes Friday evening show really left the impression that 21 Demands are a band in need of lessons in make up from the Beaut girls.

You couldn't be annoyed with either band honestly. Scuba Dice will never be heard of again apart from some charity single if they are lucky. In the case of 21 Demands despite what that Louis Walsh clone Peter and Rojo tries to tell us and their cretinous faked emotions - they'll disappear over a short horizon of Bebo stalkings. No self respecting fan of alternative rock will fall for something spawned from a reality TV show. Even Brendan O'Connor managed to lift himself up from his status as the nation's officially annointed arsehole to land running digs at Linda Martin and the rest of this orgy of the bland.

But then there was David O'Connor. You'd hope the nation would send him home with a bullet in his head rather than a smile on his face - but it was you the voting public that let us all down and voted the over sized jockey past the last furlong.

Possessing the charisma of a Students' Union welfare officer, this timid creature looks incapable of rising to the occasion of swotting off a vampire bat sucking on his knob let alone real stardom. Hopefully in the next two weeks he'll disappear into the country and western circuit of mid-lands farmers in cowboy get ups to croon his way through the hits of fucking Brit Pop. And if he doesn't? Well...

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Monday, October 09, 2006

Mindnumbing Muppet Number 7: Gillian Evans

Presenting the latest in a series of Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their access to the media.

Number 7: Gillian Evans

Gillian Evans is one of those ponitificating middle rank academics populating the society page of the Guardian with regular downbeat pop-tinged sociological observations on Britain's urban social ills. If she exemplifies anything it's that some mutant version of imperial anthropology was alive and well over at the Guardian last week as she sets out to discover what it means to live on a council estate. Gillian relates to her subjects with all the respect Coronation Street script writers imbue in stock comic characters like the Battersbys. Her subjects are a supposedly dwindling and arcane tribe called the working class, complete with their own peculiar atavistic practices and ancient social habits. Faced with a downscaling in her own economic situation, poor Gillian resolved to 'overcome [her] previous efforts to distance [herself] from the people' sharing her estate in order to research and study them in a rather vicious colonisaiton 0f class for academic career led purposes. The odd article appearing in that newspaper of the British chattering classes - the Guardian - is of course a handy bonus.

Her neighbour, Sharon becomes the arcetype of the working class house wife with whom the 'educated talk of the middle classes is useless,' so exhausted she is with the dull concerns of her drab working class life, opting instead to settle for the 'permanent joke of the body's sexual and excretory functions.' In Lady Gillian's eyes, the sign of how common you are is how much free time you allow your childern to play evoking all sorts of moral cacophony on feral childern and improper working class parenting leading to anti-social behaviour. Gillian revels in purposefully keeping her children seperate from those around her for fear of them contracting common practices. Gillian finally gets profound after a statement from one of her subjects that 'the secret of bein' working class is bein' 'appy with yer position.' In a classic imperial form the article ridicules the accents of its subjects, coming replete with excerpts bracketed in explanatory notes such as 'finkin' you're upper [better than other people].' It reeks of how Anglo Irish authors such as Maria Edgeworth attempted to drown the voice of their own sub-altern peasant opposities in footnotes and glossaries.

For Gillian this is a world where social class is an issue of the clothes you wear and the voice you bear, and as a result any resentment of assertion of a rich bashing dignity is dismissed as 'an inverse snobbery.' Not surprisingly after the publication of her book Gillian decided to feck off out of Bermondsey. Could you imagine the plight of her windows if she stayed? Oh wait Gillian was probably banking on the fact that her neighbours were too ignorant to read the Guardian.

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Wednesday, August 30, 2006

Mind Numbing Muppet: Neil Boorman The Brand Burner

Presenting the sixth in a series of Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their access to the media.

Number 6: Neil Boorman

A one time DJ ( 1 ) and music critic, Neil Boorman has raised the eye of the English press this week with his promise to burn all the brands in his possession in some bewildering act of randomness against the over-riding power of brand culture. For a man well into his thirties he's of that rather odd vintage that suffers from some sort of irony deficiency in believing music should be 'difficult for adults to understand.' It is exactly this sort of pathological desire to offend in an attention grabbing 'fuck you I won't clean up my bed-room' act of childish spite that earns him our catty contempt and that grand aul Dublin title of muppet.

Naomi Klein used brands as a point of departure for developing a popular and well needed critique of post-Fordist capitalism. But the gap between his confused and obviously pampered view of how to shop our way out of a particular set of social relations and the No Logo exposition is never made clearer than on his blog. Full of guff about acclimatising to the process of wearing non-branded runners, in his world the options are between Dunne Store's knock off high-tops and Converse originals. He admits to 'travelling to Hong Kong to get some items of clothing copied (non-branded naturally)' without ever questioning the systematic sets of power relations that have led to this warped priveliging of the commodity.

He almost admits being the living incarnation of Nathan Barley, with several collapsed efforts at publishing loud mouth chic London style magazines, brazenly shallow he describes having no interest in his current partner ' had she not been working for a very important contemporary art gallery'. You can be sure someone will give him a quirky column writing an 'anti-fashion' fashion column or even better designing summer wear for Pennys. At the rate vintage clothing is selling these days, he should have no problems dressing like the pretentious knob he is just in time for the latest Marc Jacob's grunge revival.


He likens himself to Cayce from William Gibson's Pattern Recognition ( 1 ). A 'cool-hunter' character who becomes violently ill at the sight of particular company emblems. If he does share a similarity to her, it is far from sharing a post-modern neurosis to the ever lingering logo imprints of hegemonic brands, and more in his own ability to hunt out underground cultures such as subvertising. Then strip them of their depth and ideological worth to pimp them out like sullied street walkers with a simple and crass message to earn a few fleeting moments of press to sell his up-coming book. Neil Boorman is a man no longer content with writing the art and culture features, now he wants to graduate into being the actual focus of the cultural supplements.

What you have here is a rather grandiose dose of liberal bourgeois. When history looks back it will not see a brave soul raising the deep ethical questions that haunt late capitalism. Instead it will see a pampered rich little bitch that has foregrounded his own individuality through yet more consumer choices rather than pushing for critiques of the system grounded in developing social solidarities. Bending the corporate semiotics to subversion you ain't mate, now hand over those Addidas Super Star before I set the dogs on you.

Related: No Logo Documentary: Naomi Klien lucidly explains the deepening of consumption as part of an overall capitalistic project The Century of the Self: a documentary by Adam Curtis examining how those in power have used Freud's pessimistic theories of human nature in order to demobilise democracies, instead deflecting our inner needs away from social solidarity to consumerism.

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Friday, February 03, 2006

Mind Numbing Muppets: Grainne Kenny

Presenting the fourth in series of Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their very existence.

Number 4:
Grainne Kenny

Few have pointed this out but Grainne Kenny is the hysterical wench behind EURAD (Europe Against Drugs), and the woman who recently led the charge against the over-counter selling of magic mushrooms in Ireland. She is the sort of woman who thinks Irvine Welsh glamourises drug addiction, and as such manages to worm her way onto virtually every radio that finds itself clumsily stumbling onto the topic. Like an overdrawn character rejected from South Park, when faced with opposition of the caliber of Luke Flanagan on Newstalk one day, she bales in with accusations of "evil" that have yet to be matched since the witch trials. A figure of hilarity, her organisations is dangerous - opposing the use of needle exhange programmes as they promote drug addiction and other such nonesensical toxic policies.

Like some fucking Sherlock Holmes paranoid with lucid visions of hordes of Aphex Twin headed kiddies running riot fucked on psilocybin, she headed off on a brave one woman undercover mission to expose the selling of mushrooms in Dublin head shops. Has the woman never heard of green fields in the Irish countryside? Not only this but she discovered that shops like Asha were selling paraphernalia to hordes of Goth kids, who probably have nowt more than dried banana skins to smoke up in their over priced skins with Bob Marleys face festooned across the front. Then some bloke fell off his balcony to a sad death on Halloween night, so with all the charm of Nosferatu she leapt on his barely buried corpse to ride it all the way to media attention for her party pooper agenda.

Forget that wagon Mary Harney, the real fucker in this whole affair is Kenny - this could very well be one of those lurid moments when I have to extend sympathy to Harney for the fucking midnight badgerings she was probably subjected to by this trout in order to get mushies banne
d So, its back to dirty pills and double vodkas n red bulls for the rest of us then, and over to seeking a ban on drug paraphernalia like ten cent bags of penny sweets for her. The Streets got this drugs thing so right - someone do the world a favour send a tonne of grass to her gaff and call the pigs.

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Saturday, December 03, 2005

Mind Numbing Muppets: Pat The Plank And Terrified Kids

Presenting another in a series of Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their access to the media.

Number 3: Pat Kenny

Two weeks after Halloween and businesses across the country were doing their best to confuse the fuck out of every one by decking out the Chrimbo lights. Get ready because from December 8th on the city will break into a frenzied panic as culchies descend to get their shopping on. Dare you lurk by the bus stop to Heuston station for all the pushing elbows and country battle axes grabbling their way on to buses as if they were the last exits from hell. Then like flies on shit, and stoners to a 24 hour garage, urbanite shoppers find themselves compelled by decorative lights to splash ludicrous amounts of dosh about shops all in the name of Christ. Newspaper headlines will soon forget scarcity in Sudan and regale us with a slightly worrying concern with Barbie shortages and video game droughts.


At least at this time of year there’s one constant. For years now The Late Late Toy Show has pepped up kids around the country with the sort of hell bent consumer excitement us adults get from peering over that tome of consumer pornography, the Argos catalogue. A doyen amidst the TV schedules the Toy Show has become standard fare to tickle the toes in the pre-Christmas run up. For parents it’s an opportunity to go window shopping without leaving their gaff. For kids its an opportunity to load up on all the ammunition they need to make the X-mas run up complete and harangue their folks with demands. For those of us without a Friday night social life, it provides the sort of comic relief that can only come from a presenter who’s had his personality hoovered out of his nose, leaving him with all the stuffiness of Paddington Bear. The Toy Show revels in that form television that sees adults getting their kicks from the reactions of terrified looking kids.


A childhood memory of Kenny has him gawking from the screen, like Joe Ninety with a degree, presenting ‘Today Tonight’ the forerunner of Prime Time. Starting off as a continuity announcer, Kenny’s plank-ness became obvious early on doing the voice over for Dev’s funeral. After a bout of solemn fiddly dee music, Pat read out the title without checking – it turned out to be ‘The Aul Divil Is Dead.’ Moving on to present the Eurovision, Pat would annoy half of Europe before finally being pacified with his very own ‘Kenny Live’ leading to a state of perpetual guerrilla war in Mountrose between the two production teams. As Gaybo pissed off to retirement, Pat fell into his shoes, leading to a huge fall in ratings. Critics only began to hold their guns on Kenny after viewers opted not to tune into Dunphy’s melted wax model face and retained their generational loyalties to the Late Late.


The latest Toy Show saw Hazel Kaneswaran’s (her of Dove fame and now You’re A Star) kid dragged out on stage to like a performing monkey while she mouthed support from the sidelines. With a face like a rabbit in a headlight, the poor fucker looked like a caged animal in the glare of the studio lights and could only stare blankly at the audience. His ordeal only got worse when a seven foot Barney appeared to mouth off Christmas tunes, while a delirious looking Pat The Plank whooped it up prancing around the child like some demented elf. Dustin still made his annual appearance with all the mannerisms of a drunk taxi driver pontificating on current affairs. Pat struggled to cope with the scripted jokes about turkey hunts, and his attempts to raise the level of humour with a doll that mouthed Bush-ism’s was undercut by the turkey’s Bertie doll, a Telly Tubby. Every year there is the inevitable pile up as kids on bikes hurl themselves across the studio to the glee of Kenny, this year some three year old on a trike nearly came foul of an eight year old road hog in a motorised quad.


Gone are the days of the Billy Barry Kids with their dancing routines and eyes glazed over with Skittle over indulgence. These days thankfully its more a dose of twelve year old rock bands churning out covers of ‘The Darkness.’ The Toy Show features all the stereotypes one could care to mention. The seven year old hairdresser, glamming it up like failed cast members on Ab Fab, all that was missing was a fag hanging from her mouth. The book worms pontificating about Harry Potter, the video game nerds who can barely take their eyes off Fifa to tolerate Kenny for a moment and the construction nerds fiddling around with bits of wood.


Gaybo had his festive jumper, giving him the sort of doteage that smacks of grand-dad and packages of Werthers. With Pat, one can’t help but feel slightly queasy as he awkwardly cohorts with the kids. Behave! The only kiddy fiddling going on here is that of the corporations, who as ever leap on any opportunity provided to pass off their merchandise on the new generation. As a recent episode of Panorama pointed out 60% of household expenditure is on products to satisfy kids. All this means the little gits control the consumer end of an industry worth $1.1 Trillion globally, and that industry is intimately linked to Christmas. As Christmas beckons one really does get the urge to re-enact a stunt performed by the London based situationists, King Mob in the seventies. Who walked into a high street store, dressed as Santa and began to hand out toys to kids with a ‘merry Christmas.’ Full of Christmas cheer, security began to wrestle with hysterical kids in an effort to snatch the toys back.


The new Smyth’s ad models itself on Power City ads, some kid shouts prices while his female helpers present the various products on sale. It doesn’t take a genius to work out the logic behind some of the more popular products like Pokemon, which bases itself totally on the logic of compulsive consumerism. ‘Got To Catch Them All’ maybe the aim of the shows characters, but ‘got to buy them all’ becomes the reality for parents when it comes to the playing cards and other products. Pokemon once the most insidious end of a industry that seeks to condition children for a life time of buying, has passed its traits on to other products like YU-GI-OH and Bratz. All of which urge more purchases as a means to extract full utility from the line. Buy one Bratz, and it’s a doll, buy two and they interact. Socialisation begins earlier and earlier.

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Thursday, November 03, 2005

Mind Numbing Muppets: Mary Camden Has Sinned Again.

Presenting more in this series we call Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their access to the media.

Number 2: Gillian Evans

That skanky ho Mary Camden has sinned again. For long term viewers of Seventh Heaven, this can't come as much of a shock. Residing in the sort of television universe where the cliff-hanger ending of the first season was a camera close up of Mary's (Jessica Beil) face as she was handed a bottle of beer at a party. Viewers nerves were left painfully taut, fingers bitten to the quick as anticipation mounted as to wheter or not she would take a sip. Of course she did, and a personifcation of evil like no other was born.

The show operates as a thinly disguised public service announcement for the Christian right, it is the Brady Bunch without a hint of the kitsch value. From it's nauseatting opening tune of "where do you go?/when the world don't treat you right/the answer is home" you know you are settling in for an hour of overly wholesome lunacy. The show has been running for the past part of a decade now, for the most part on what seems like auto-pilot. Watching it can be a hugely frustrating affair. Throughout the first season the eldest son Mat provided the tense moments of familial tension with his developing smoking habit that was more Johnny Blue than Afghan Black. The most developed character biography focused around oven chained Annie's flirtation with gange, which of course in a series of flashbacks led to the death of several of her close friends. Her delayed admittance to drug use saw her marriage flounder on the rocks for a good two episodes, as a result the kids for some reason were made live in the garage. Since then moments of crisis have included Ruthie's addiction to bubble-gum, the fact that Simon an apparently health 20 year old is riding young ones left, right and centre. And worse, much worse the fact that Mary Camden who has was cast off to Alaska for developing a non-descript drug problem by her folks has, bless your self in anticipation: filed for divorce against her husband and left her kid to move to England. In a show where the dog Happy is the most rounded character this really is gripping material.

Really, one would really have to hope that the writers of this show are a bunch of college drop out, stoner wasterals lost in this fabric of irony they have pulled over the eyes of the TV networks, the christian right and viewers. But really, I'm left terrified and shaking with the sort of gut pains that only an infestation of maggots can give that - no - this show is for real. It is increasinlgy over stretching itself, with the Camdens house rivalling Home and Away's Pipa's at the height of its use by transitional kids. Two of the "sinners" that currently reside there have developed an odd obsession with the suddenly buxom Ruthie - stalking her on dates, sabataging relationships and eavesdropping on phone calls. But for a show where a 14 year old girl is regularly stalked by two grown men without comment, it really does have an astutely didactic effect. It does exactly what it says on the tin presenting the family as the pivotal social unit in society. Apart from the fact that the Camdens who have blatently closed their eyes to 40 years of birth control have popped a set of twin sprogs who erriely talk in constant unison. If only the writers would transform theses twins into the offspring of Satan spawned in the heart of WASP-ish America, let the local Marilon Manson militia defecate on Rev. Camden's altar then perhaps no more Sunday dinners would be ruined by stumbling across this show on tv and the accompanying desire to slit my throat.

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Monday, January 31, 2005

Mind Numbing Muppets: Could You Fit Bono's Ego In Your Gaff?

Presenting the first in a coming series of Mind Numbing Muppets - a Soundtracksforthem response from the underbelly of the keyboard to the kaleidoscope of dazzlingly silly cahnts who impose themselves on us via their access to the media.

Number 1: Bono

Fresh from prancing around on the set of their new video Bono and co are back to unleash another album. Bound to hurtle straight up the charts and receive the sort of rabid air play that ensures their new single 'Vertigo' will drill itself into the heads of anyone in the vicinity of a radio with all the infectious quality of Variant CJD.

Lucid as ever, Larry Mullen strives to convince anyone unfortunate enough to hear that U2 are the 'only real band left.' Meanwhile the rest of us are checking ourselves into mental wards worried we'll be prompted into the sort of self questioning frenzy which results in frantic dashes about HMV to locate their new album. Wondering how we were deceived by all those other bands, which Bono et al have now confirmed don't actually exist. A clever fucking marketing approach to monopolisation or what?

But then again, U2 and Bono are one clever as fuck marketing gimmick aren't they? The politicians realise that too. Only too happy to use his mountain sized ego to add credence to their public relations stunts when it comes to debt relief and funds for aids. The fuckers string him along like some mascot to the yoof vote (as if we're that thick). Delusional with the idea he exerts a single ounce of power over them Bono traces a path around the globe like a Bishop with no flock bestowing virtue on one and all. In Genoa so gripped with ego mania was Bono et al that he maintained the social movements which were being battoned and shot off the Genoa streets were 'distracting' from his chats with Blair and other leaders on the luxury cruise liner the "European Vision" and his four year campaign to save the world.

Bono is known for traipsing around Africa with former Secretary of the US Treasury, Paul O'Neill like some 19th Century philanthropist on a 'civilising' mission to the colonies. While Bono got on with whispering sweet nothings in the global elites ears, the Bush administration moved against O’Neill for making the sort of vaguely liberal ‘non-republican’ criticisms of policy Bono himself is renowned for. Showing slightly more insight in the workings of Empire than Bono, O’Neill described the Enron scandal in which corporate fraud cost employees and shareholders billions of dollars and broadly undercut confidence in corporate accounting, "the genius of capitalism."

He’s far from alone in his delusions. "Someone once called Bono a Mother Teresa figure, but in fact he is more like John Wayne," says Bobby Shriver, record producer and member of the political Kennedy clan, who helped to get Bono his introductions to Capitol Hill. "He is the lone good guy who rides into town motivated by nothing more than an ideal. It is a potent American myth." Visionary as ever, after Genoa Bono described how he was 'getting messages even from corporate America saying, 'What can we do? Can we help?' Perhaps the corporate world are returning favours, because a band that certainly know a thing or two about advancing the corporate agenda are U2. Amidst fears that their new album would be circulating on the internet Bono and friends have joined the ranks of other notable gits like Metallica and rap stars Eminem and 50 Cent who have all rushed new albums into stores to undercut piracy. "If it is on the Internet this week, we will release it immediately as a legal download on iTunes, and get hard copies into the shops by the end of the month." Those of you who are desperate enough or stupid enough to be suckered in by 25 unreleased tracks can now buy a special U2 Ipod, complete with a gleaming silver cover featuring the bands signatures.

Meanwhile Bono continues in his sycophantic relationship with power. "You know, they're not bad guys. They're just busy guys. It's just bureaucracy. It's just, it's heart breaking really. I'd like to tell you these people are the devil. Well they're not. They're people who want to put this right." Perhaps handicapped by a Christ complex, Bono has been known in recent years to court the evangelical American right in an effort to persuade them of the importance of debt relief and the like. Many commentators note Bono’s remarkable silence on the Iraq occupation, seeing it as an indicator of his unwillingness to upset his American fan base.

So will people on this site be rushing out to buy their new album, fresh from nights of dreaming about getting close enough to lick Bono's bag? Or will you be joining me in hopes that some time somewhere Bono will lose more than his lyrics and laptops, and hopefully end up lost in an attic somewhere for over twenty year?

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Soundtracksforthem specialises in iconoclastic takes on culture, politics, and more shite from the underbelly of your keyboard. A still-born group blog with a recent surge of different contributers but mainly maintained by James R. Big up all the contributers and posse regardless of churn out rate: Kyle Browne, Reeuq, Cogsy, Chief, X-ie phader/Krossie, Howard Devoto, Dara, Ronan and Mark Furlong. Send your wishes and aspirations to antropheatgmail.com

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